Neo-Byzantine architecture

Neo-Byzantine architecture is an architectural revival style, most frequently seen in religious, institutional and public buildings. It emerged in 1840s in Western Europe and peaked in the last quarter of 19th century in the Russian Empire; an isolated Neo-Byzantine school was active in Yugoslavia between World War I and World War II.

Neo-Byzantine architecture incorporates elements of the Byzantine style associated with Eastern and Orthodox Christian architecture dating from the 5th through 11th centuries, notably that of Constantinople (present-day Istanbul) and the Exarchate of Ravenna.

Earliest example of emerging Byzantine-Romanesque architecture was the Abbey of Saint Boniface, laid down by Ludwig I of Bavaria in 1835 and completed in 1840. The basilica followed the rules of 6th century Ravenna architecture, although its corinthian order was a clear deviation from the historical Byzantine art.

In 1876 Ludwig II of Bavaria commissioned Neo-Byzantine interiors of the Neuschwanstein Castle, complete with mosaic images of Justinian I and Greek saints.

Danish architect Theophil Hansen became a supporter of the style in the 1850s. His major works belonged to Neo-Grec style, however, Hansen as a professor of Byzantine art in University of Vienna shaped a generation of architects that popularized Neo-Byzantine architecture in Austro-Hungary, Serbia and post-war Yugoslavia. Hansen’s own Neo-Byzantine work include the Greek Church of Trinity (1856—1858) in Vienna and Chistuskirche in Matzleindorf (1858—1860).

Links

• Neo-Byzantine architecture – Wikipedia

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