Romanesque Revival architecture

Romanesque Revival (or Neo-Romanesque) is a style of building employed in the late 19th century inspired by the 11th and 12th century Romanesque style of architecture. Popular features of these revival buildings are round arches, semi-circular arches on windows, and belt courses. Unlike the historic Romanesque style, however, Romanesque Revival buildings tended to feature more simplified arches and windows than their historic counterparts.

The style was quite popular for courthouses and university campuses in the late nineteenth and early twentieth century, especially in the United States; a well known example is the University of California, Los Angeles. The style was widely used for churches, and occasionally for synagogues such as the Congregation Emanu-El of New York on Fifth Avenue built in 1929. Neo-Romanesque details in a neo-Renaissance structure:New York State Capitol, Albany, New York
Richardsonian Romanesque: Bexar County Courthouse, San Antonio, Texas

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Romanesque architecture

Romanesque architecture is the term that is used to describe the architecture of Medieval Europe, characterized by semi-circular arches, and evolving into the Gothic style, characterized by pointed arches, beginning in the 12th century.

The term "Romanesque", meaning "descended from Roman", was first used to describe the style in the early 19th century. Although there is no consensus for the beginning date of the style, with proposals ranging from the 6th to the 10th centuries, examples can be found across the continent, making Romanesque architecture the first pan-European architectural style since Imperial Roman Architecture. The Romanesque style in England is more traditionally referred to as Norman architecture.

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Adam style

The Adam style (or Adamesque) is a style of neoclassical architecture and design as practiced by Scottish architect Robert Adam (1728- 1792) and his brothers. A book of engraved designs made the "Adam" repertory available throughout Europe. A parallel development of this early phase of neoclassical design is French "Louis XVI style.

Robert Adam’s main rivals were James Wyatt, whose many designs for furniture were less known outside the wide circle of his patrons, because he never published a book of engravings, and Sir William Chambers, who designed fewer furnishings for his interiors, preferring to work with able cabinet-makers like John Linnell, Thomas Chippendale and Ince and Mayhew. So many able designers were working in this style in London from ca. 1770, that the style is currently more usually termed Early Neoclassical.

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